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Dungeon Crawling: Bards

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Lords, Ladies, Lads, and Lasses, today I present my take on Bards.

A class I have never played.

You may ask, “How the heck can you have an opinion on Bards if you’ve never played one?!” Easy, I’ve played along side them, and I’ve DM’d for them.

The Bard class is a charisma based spell caster, a jack-of-all-trades, and mainly considered to be a support class. Their sub-classes are broken up into Colleges, with two in the Player’s Handbook, and three more waiting within the pages of Xanathar’s Guide to Everything. 

The basic class uses Charisma as their casting stat, can use a musical instrument as their spell focus, and is also a ritual caster. They are performers, and if you have a problem being the “face” of the group, coming up with witty one-liners for your Vicious Mockery cantrip, or can’t parse together a quick ditty to sing inspiration for your fellow party members, then you’re playing the wrong class.

They have access to all skills from the get go, and those they don’t choose they can add half of their proficiency to any way at 2nd level. At 3rd level they can choose two that they are proficient in to gain double proficiency in as well.

And 3rd level is when you choose your Bardic College. This choice will slightly alter how you use your Bardic inspiration. Lore bards can distract with their words, protecting their allies in combat. Their foe’s attacks will strike with less impact, or sometimes even miss altogether.  Valor bards on the other hand can help add to their allies damage, or their AC. Those bards who enter the College of Glamour from Xanathar’s Guide to Everything can grant a group of people temporary hit points, and a free move. Sword college bards are master of the flourish, their bardic inspiration helps them dance around their foes, pushing them about, striking a second enemy, or even simply boosting their own AC. Those bards that join the College of Whispers can literally strike terror into the minds of their foes. Their Bardic Inspiration dice can be used to do psychic damage along with their melee attacks when they so choose.

Each of the five current official colleges only expand upon their themes as you level. Lore bards gain greater expertise with their skills, add spells from other classes to their repertoire. Valor bards gain training in medium armor, shields, martial weapons, and an extra attack. Eventually they can even cast a spell while making an attack with their weapon. Glamour bards gain power over the crowds, charming the masses, enthralling them, and dissuading them wanting to harm the bard in the first place.  Sword college bards gain extra attacks, medium armor training, and proficiency with the scimitar. Eventually they can use a free d6 for their flourishes instead of using up the finite resource of their Bardic Inspiration. Finally the College of Whispers allows it’s bards to steal the visage of the recently deceased, gaining the general knowledge and memories they would share freely with a casual acquaintance, and allowing the bard to pass themselves off as the deceased with greater ease. Eventually they can convince a target that they know a deep secret and charm them for an extended period for fear of revealing said secret.

So if you wish to sing, and cast spells whilst playing at being a Skill Puppy, a Duelist, The Center of Attention, a Dervish, or an Assassin they maybe, just perhaps, the Bard is the class for you.

 

Dungeon Crawling: My First Hero

…Or Dungeons and Dragons for Beginners.

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So you want to play Dungeons and Dragons, but you don’t know where to begin. There are so many books, so many rules, and so many choices that the options can be a bit overwhelming. Fear not for I shall simplify it for you.

Before you worry about what books to get, and what rules to learn, you need to find a Dungeon Master. They’re the arbitrator of the rules, the referee if you will. They are also in charge of all the monsters and characters not in control by a player. The will have a story in mind (also called a campaign). You need to check with them to see if there are any classes or races they don’t want you to choose from when creating your hero. Most likely, they will also have all the books you’ll need to make your hero.

So now you know what you can’t choose for a race, or a class, if there are any restrictions at all. This means you still have quite a few choices to make, and even though you’ve seen Lord of the Rings, you’re still not sure how to narrow it down. D&D is a game of “let’s pretend…with rules” as such most it is left up to your imagination. There is a mental exercise called The One Room Dungeon.

Before you stands a long corridor. Torches light the way every ten feet, and somewhere in the distance you hear the constant drip of condensation on the flagstones. At the end of the hall stands a solid oak door. It is closed, but flickering lamplight can be seen shining from the crack beneath it. There is a treasure chest behind the door, but also an Orc Warrior guarding it. How do you approach the door? Do you use stealth to sneak up? Do you stride confidently down the hall, clad in your heavy metal armor? Do you cast a spell that silences your footsteps? Once you open the door, do you sneak attack the orc, face him head on with a deadly weapon, or blast him with arcane spells? Which of these choices excite you the most? Are you feeling like a rogue, a warrior, or a spellcaster? Maybe you’re a combination of two or three. When you can imagine how you deal with the orc and gain the treasure, you should begin to have an idea of what class you want to play.

So you’re beginning to have an idea in you head of what your hero is. Great! Borrow the Player’s Handbook from your DM. Flip through the races and see if any jump out at you. There are quite a few to choose from, and you should be familiar with the basic idea of them if you’re into the fantasy genre at all. D&D tries to balance them all out, but if looking over their mechanical benefits helps you decide, then by all means do it.

Next you’ll want to narrow down your class. There’s more than three in the PHB, so the choices you made in The One Room Dungeon are just the tip of the iceberg. Did you choose stealth, using your skills to overcome the orc? There’s a Rogue, a Monk, and a Bard to choose from. Maybe weapons were your go to solution. Fighters, Barbarians, Rangers, and Paladins await you. Or if spell-casting was your thing there are Wizards, Warlocks, Sorcerers, Clerics, and Druids waiting to be called upon. There is no wrong class, race or combination of the two. Sure, you’re choice might not seem optimal mechanically, but if you have fun that is what matters.

The final choice is your Background. What’s your story? Who were you before you took to the life of adventuring? Were you a sailor making a life on the open seas? Did you grow up in the posh life of a Noble house? Were you a criminal thumbing your nose at authority?

Between your race, your class, and your background you have you’re starting equipment and skills. You’re almost ready to play.

You need to generate your ability scores. Ask your DM what method they want you to use. Are you going to roll six-sided dice, spend an allotment of points, or place a static array of numbers? Your class choice will determine what score is important for its features.  Do your weapon skills rely on Strength or Dexterity? Is Intelligence, Wisdom, or Charisma your spell-casting stat? Perhaps you just want to have a high Constitution and be healthy as an ox.

All those choices made during creation and you’re finally ready to play. “How do I play?” you ask. Improvisation. The Dungeon Master will describe a scene and ask you what your hero wants to do. You can respond descriptively or in character. “My rogue sneaks up to the door and attempts to pick the lock.” or “I’ve seen harder locks in my mom’s cupboard” and I take out my lock-picks. Whether or not you do it is another story.

Anytime there is a chance of success or failure you’re going to roll a twenty-sided die and add a number to it. The higher you roll, the better the outcome. What numbers you add to it depend on the task being attempted. If it was an attack or a spell you’ll need to roll another smaller die to determine how much damage you did. Don’t worry about rolling the wrong one, or forgetting which one is an eight-sider and which is the ten-sider. We all had those same stumbling blocks when we first started.

Mistakes will be made. Heroes will fall. New ones will rise in their place. It is a game. Have fun, and make their tales legendary.

 

Adventure Framework Part 2: Forget What I said, Do what I say! Conceptualizing Your Endgame.

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At the end of my last article (Adventure Framework Part 1: Start at the beginning) I said “You need to set a proper foundation, both for your players and yourself. From this, you set your pillars. The pillars are the stories you will tell. In part two we I’ll delve into the pillar of your adventures and how you should prepare each one.” I was wrong. I skipped a step: The Roof. For those of you that don’t know much about construction the roof is typically added last. You build from the ground up. You start with your foundation making sure it’s strong and level. From there you add your supports; pillars in our case. Then the roof.

Although we have created our adventure foundation, we don’t have enough information to build our pillars. We need more. What is our end game. What kind of materials will we use on top? Is it stone? Would you use the same pillars to hold up a straw roof as you would a stone roof? No. You wouldn’t. A straw hut has a very different foundation, most likely dirt. Though a straw hut and stone building are different in many ways their conceptualization is the same. They have a structure they follow.

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