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Review: Dissidia Final Fantasy Opera Omnia

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The heroes from the Final Fantasy series cannot catch a break. Having been sent to a paradise world to rest from their battles, they discover that monsters have infiltrated said paradise. It’s up to them to band together and fight…again.

Dissidia Final Fantasy Opera Omnia is a game for iOS and Android devices, recently launched in the United States. (It’s been running in Japan since early 2017.) Dissidia has become a crossover subseries of the larger Final Fantasy franchise. It started out with two games on the PSP, followed by the Theatrhythm music games on the Nintendo 3DS, and now an arcade version on the PlayStation 4, titled Dissida NT. They essentially exist to throw the major Final Fantasy heroes and villains together in one universe to battle it out.

In the first two PSP games, the heroes and villains wake up in a strange world with no memories of their previous adventures.  They have a vague idea of who they used to be, and they know that they have homes they want to see again, but that’s it.  The goddess of harmony, Cosmos, and the god of discord, Chaos, enlist them to fight in a great battle for control of the universe.  The characters strike alliances with one another and grapple with various personal issues while trying to end the conflict for good.

Theatrhythm pretty much kicked the plot out the door from the get-go. Technically, the heroes are fighting Chaos again, but there’s no dialogue between them. You just pick a song from the series and try to keep up with the beats. They’re fun rhythm games and probably my favorite entries in the series, even though they don’t contribute anything to the story.

Now, we have Opera Omnia on mobile phones. This game changes things up by having the characters clearly remember their previous adventures in their home worlds, but have no recollection of their Dissidia battles. If you enjoyed Zidane and Squall’s odd friendship or Vaan saving Terra from Kefka, you’re out of luck.

In this way, Opera Omnia comes off as a soft reboot of the Dissidia series. The game doesn’t solely stick to major heroes and villains. You begin the adventure with Warrior of Light, from the original Final Fantasy, Rem from Type 0, Sazh from Final Fantasy XIII, and Vivi from Final Fantasy IX. As you progress through each chapter of the game, you gain more and more allies in the fight. And there are lots of allies from the entire series. Other characters can be unlocked for a limited time through special event quests. As of this writing, we’ve gotten Squall, Vanille, Setzer, Balthier, Eiko, Tidus, and Prishe in this manner.

Just to give you an idea, my current roster of fighters consists of twenty-eight characters. And I’m still on Chapter 4.

While playing this game, I got the impression that Square-Enix might’ve finally noticed that they’ve been giving Final Fantasy VII a little too much love compared to other entries in the series. While you pick up Cloud, Tifa, and Yuffie early on, they don’t appear as often in cutscenes as Zidane and Vivi from IX. And Final Fantasy VI has started to receive more attention at last. The Japanese version of Opera Omnia already has Terra, Shadow, Setzer, Cyan, Edgar, Sabin, Celes, and Kefka. Considering that the first two games only ever gave us Terra and Kefka as playable characters, that’s impressive.

So, what goal do the heroes need to accomplish this time around? It turns out that the paradise world they inhabit has become infected by “Torsions.” Torsions are basically dark wormholes that spew out monsters. The goddess Materia summons Mog the Moogle to collect warriors who possess the ability to seal the Torsions. Then the worlds can finally be at peace.

Did you understand all of that? Well, don’t worry if you didn’t. Mog and co. will repeat this information many, many, many times. It reminds me of The Room, the greatest bad movie of all time, where characters would often repeat dialogue and have the same conversations. But at least in The Room, the writing was so bad that it was funny. With these games, the writing’s just competent enough that it’s more annoying than funny.

And that’s always been a problem with the Dissidia series. I remember playing Duodecim for the first time and loving it. Yet as I got further and further into the story, I groaned every time someone brought up the manikins- the game’s enemies- which was often. “These manikins are everywhere!” “How do we stop the manikins?” “Oh no, here come more manikins!” “If we don’t stop the manikins, we’re all going to die!” “BUT HOW DO WE STOP THE MANIKINS???” Replace “manikins” with “Torsions” and you get the same problem in Opera Omnia.

It’s not all bad though. There’s a mini-arc of trying to catch and recruit Yuffie after she steals some of the party’s weapons- and then Zidane, who has acted very upset about losing his dagger, decides he’s going to flirt with her anyway. There’s another cutscene that consists of nothing but Zidane trying cheesy pickup lines on every female member in the party, with no success. And Chapter 3 has the heroes grappling with whether or not to join forces with Seifer and his friends. On the one hand, they seem to be fighting a common enemy. On the other hand, the two groups can’t stand each other and eventually decide to go their separate ways. This has always been the strongest aspect of Dissdia: when the writers indulge in the appeal of the crossover and have fun letting the characters bounce off of each other.

While the strength of the writing fluctuates, the battle system is a fun throwback to older Final Fantasy games that successfully mixes in some of Dissidia’s style as well. You get three party members who face off against enemies in turn-based combat. There are two types of attacks that can be used: Bravery and HP. The amount of Bravery that your character obtains determines how powerful your HP attacks will be. So, if your character has 0 Bravery, and you hit an enemy with an HP attack, the enemy will take no damage. This leaves some room for strategizing how you will attack enemies.

That said, as much as I love having so many characters at my disposal, it does make leveling up more of a pain. The game developers made an attempt to fix the problem by giving out extra rewards on certain quests if you use a particular character. You can also gain more experience on quests by using certain characters. Still, it’s a struggle, and it would help if the new characters you acquire throughout the story didn’t always start at Level 1, no matter where you are. It would make more sense to have them at different levels depending on when you acquire them, like other Final Fantasy games have done in the past.

Since this is a free-to-play game, Opera Omnia does rely on microtransactions to some degree. The quickest way to acquire the best weapons and armor comes from the Weekly Draws and Event Draws. You can either pull for one weapon using a Draw Ticket or eleven weapons using 5,000 gems. You earn gems and tickets by logging into the game and completing various tasks. Or you can go to the Gem Shop and buy them.

The game gives you different purchase options, from a Bronze Chest that gives you 120 gems for $0.99, to an Adamant Chest that gives you 12,000 gems for $74.99. I can’t imagine spending $75 in one transaction for fake money, and for a deal that only allows you two pulls from one of the draws, it doesn’t seem worth it. But I’ve found the game to be playable without drawing for weapons very much. Time will tell if that changes as I get farther and farther into the story and the difficulty increases. It’s also worth noting that you can enhance your weapons yourself with materials that you find. But if you want good weapons fast, the draws are your best bet.

So far, Dissidia Final Fantasy Opera Omnia has been a fun experience and I enjoy playing it. I can’t wait to see what other characters get added to the lineup. (Locke? Rinoa? Where are you?) While the plot is still a little weak, I love watching the characters play off of each other and setting up a party for turn-based combat. If you’re a fan of any of the Final Fantasy games, it’s most likely that you will enjoy it too.

Review: Luigi’s Mansion

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I’ve heard that gamers consider Luigi’s Mansion to be a classic from the Nintendo GameCube era. Personally, I’d given it a try once before and didn’t get very far before I lost interest. But that was years ago, so why not try again?

Well, I tried, and I did end up enjoying it. It’s just not a game that I’d want to play over and over again.

Here’s the premise: Luigi, the lovable brother of the famous Super Mario, has just won a mansion. That sounds great, except that Luigi doesn’t recall entering a contest in the first place. When he arrives, he discovers that it’s filled with ghosts and that Mario’s trapped somewhere inside! Luckily, there’s a quirky old ghost hunter named Professor E. Gadd (I love that name) who equips our hero with a Poltergust 3000 that will suck up any attacking ghosts.

As he clears each room of ghosts with his new vacuum-weapon, it’s up to Luigi to figure out what happened to Mario and who’s responsible for trapping them in the mansion.

First, I love the music that plays throughout Luigi’s Mansion. It’s spooky and playful, so it fits the game well. It’s cute how Luigi will hum or whistle along as he walks through each room. He’s a great character; while he doesn’t speak much, he’s very expressive. Plus, you have to admire him for fighting off ghosts single-handedly, even when he’s clearly scared out of his mind, because he loves his brother that much.

In theory, the gameplay is simple: Luigi uses his magic vacuum to suck up ghosts. As he goes through the house, he’ll also uncover elements medals that let him use fire, water, and ice on the environment and special ghosts.

That’s all fine and good, except this means that Luigi’s Mansion centers on aiming in the right direction with the Poltergust and I cannot aim to save my life. It’s one of the reasons why I usually don’t play shooters, and why my weapon of choice in Bioshock was the wrench. Every time an arrow challenge comes up in a Zelda dungeon, I waste countless arrows trying to hit the target while groaning in agony. So that made Luigi’s Mansion more frustrating for me than fun. But if that’s something you’re good at, you’ll have no problem conquering Luigi’s Mansion.

Still, the longer I played, the more I found myself enjoying the game. It’s fun to search the house for ghosts. Some are Boos, some look like blobs with faces, and then there’s a special type: the Portrait Ghosts. Professor E. Gadd once had them trapped in paintings, until they escaped right before the start of the game. They each have a unique design and personality, though most of them aren’t hard to capture compared to regular ghosts.

It’s also worth mentioning that Luigi’s Mansion is a short game that you can complete within a couple of days, depending on how much time you spend on it. It only has four “areas” to unlock, plus the room of the final boss. Since I wasn’t extremely invested in the game, I didn’t mind its length. Others may find that aspect disappointing.

If you have a GameCube and you love Luigi, Luigi’s Mansion is a game worth playing. It’s not my favorite video game, but I don’t regret trying it out.

Review: Apollo Justice: Ace Attorney

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All rise for the debut of Apollo Justice, the newest defense attorney in the Ace Attorney series!

The game has been remade recently for the Nintendo 3DS, but was originally released as a Nintendo DS game and it’s also available on iOS and Android devices. You don’t need to play the previous games to understand the story or characters, but I highly recommend doing so because they’re awesome.

Apollo Justice, the fourth entry, takes place seven years after the seemingly happy conclusion of Phoenix Wright’s story in Trials and Tribulations. Unfortunately, we discover that Phoenix has since lost his badge after being tricked into presenting forged evidence in court. Now he’s been accused of murder, and his only hope lies in newcomer Apollo Justice, who has idolized Phoenix for years.

These events kick off a new story with Apollo as the playable character, assisted by Phoenix’ teenage daughter, Trucy. The duo faces off against Klavier Gavin, a prosecutor who also happens to be a famous rock star. He likes to play air guitar after raising an objection. Because if these lawyers aren’t quirky to a fault, it’s not an Ace Attorney game.

Klavier ended up becoming my favorite character in this game. Granted, I’ve written before that the prosecutors are my favorite aspect of Ace Attorney, so that’s not much of a shock. It’s Klavier’s personality that surprised me. Previous prosecutors have helped Phoenix on certain occasions, but only after going through a good round of character development. Klavier is a nice guy from the get-go. He lets Apollo and Trucy have access to the crime scenes, gives them discount tickets to his concerts, and occasionally helps them out when he sees that Apollo’s on the right track but isn’t presenting the right evidence to the judge.

That’s not to say that he lets Apollo off easy. They’re still rivals in the courtroom. Nonetheless, he presents a change of pace that’s fun and refreshing.

I wish I could say the same for Apollo and Trucy. They’re nice characters and I like them well enough. But they’re basically Phoenix and Maya 2.0: a snarky, intelligent lawyer with a passion for justice and his cheerful, quirky assistant with a mysterious family past.

On the one hand, I do like them because this dynamic worked great in the Phoenix trilogy. If it’s not broken, why fix it? On the other hand, it would have been nice to see a more distinct difference between Phoenix and Apollo. Otherwise, why bother creating a new character? In the first AA game, we learn what inspired Phoenix and Miles Edgeworth to become lawyers. We never get that kind of insight about Apollo.  We get some backstory about him, but it’s revealed through other characters and we don’t get to see how it impacts Apollo.

Additionally, both Phoenix and Apollo lose their mentors early in the game, albeit under different circumstances. We see how the loss of Mia Fey affects Phoenix throughout his entire trilogy. And while Kristoph’s situation is a big deal to Apollo initially, and comes back into play later in the story, Apollo doesn’t reference him much in-between. There’s less of a connection between them. When his mentor does return, there’s more emphasis on how Kristoph impacted Phoenix’ life than Apollo’s.  As the new player character, Apollo deserved better.

Yes, Phoenix Wright returns as well, as an occasional mentor to Apollo. He’s a lot like Luke Skywalker in The Last Jedi, as the lovable hero who becomes disillusioned after losing everything. I didn’t mind his personality shift. Underneath it all, he still feels like the same character, just at a different stage of his life after suffering from a traumatic situation. (Then again, I felt the same way about Luke Skywalker in The Last Jedi…)

So, having discussed the story and characters- which is necessary when it’s such a story-driven title- what about the game itself?

Apollo Justice plays out much like the previous entries in the series. You alternate between investigating a murder and proving your client’s innocence in court. There’s one new trick to the cross-examinations: Apollo can use an ability called “Perceive” on witnesses in court. You pick a statement in the testimony and zero in on the person’s face, hands, etc. to find whatever nervous tic they’re showing. Doing so helps you to see when the witness is lying.

Apollo Justice also has a couple of tweaks that make the game easier to play. For example, if you fail to present the right evidence too many times and lose all of your “health,” the game gives you the option to return to that last moment with a full health bar. That makes the courtroom sections much less frustrating.

Although none of the cases reached the level of “Farewell My Turnabout” or “Bridge to the Turnabout,” I thought they were all solid and fun to solve. They formed more of a cohesive arc this time around, with every case having some relevance to the overall plot.

If you enjoyed the original Phoenix Wright games, I recommend Apollo Justice. It doesn’t exceed expectations, but any time spent in Phoenix’ world is time well spent for me.

Bears Vs Babies: A game review

20170627_171516 On July 4th, while many Americans celebrated with Fireworks and cookouts, my friends and I sat down to play Bears Vs Babies. As fans of the creators, we had been waiting to play it since the game had been announced. We were not disappointed.

Bears Vs Babies is honestly just a very entertaining game. It is also fairly easy once the players get started. There is a mat, and cards that are shuffled together. Some are babies who have different slots on the mat. There are some cards to give the players different actions. The other cards are pieces to help the player make a totally awesome monster!

The game encourages players to first go through a practice round, which is always helpful, depending on the experience level of the players. After they are comfortable, then it is time to get down to business and make some monsters. Players are given a number of cards. All babies are discarded face down on their appropriate color slots. Monsters are put together during each player’s turn.  

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The tricky part is that the cards have to line up with the stitches so it may take a few turns before a monster can be properly assembled. There are points on the cards which let you know how powerful each card is, so the more cards the more powerful your monster. All of the cards with the heads have a color that correlates with a baby pile, or they have a rainbow meaning they could fight any group. The goal of the players is to defeat the evil baby armies. If the player can, then they get the points. Some cards in the deck enable other players to trigger a fight between a player of their choice and the baby armies so it is a good idea to pay attention to what your friends are building.

Bears Vs Babies is brought to us by the brilliant minds of Elan Lee and Matthew Inman. Yes, the creators of Exploding Kittens. Bears Vs Babies has all of the humor of Exploding Kittens. It felt quick to play between trying to make my monster and strategizing against my friends. The art on the cards is well done. The monsters are funny and sometimes even fancy. In short, it was a great game that I cannot wait to play again.

I would rate Bears Vs Babies: Must play.

Always keep sparkling!

Review: Diddy Kong Racing

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When I’m not playing video games or writing, I can be found working at the library. Every other month or so, I like to combine my job with my interests by bringing all kinds of video game systems to the library for people to play. When that happens, I’m always amused by the way everyone gravitates towards Mario Kart.

It doesn’t matter which Nintendo systems I put out, whether it’s the brand-new Switch or the Super Nintendo. It doesn’t matter what games I include. Splatoon 2? Super Smash Bros. Melee? Anything from Legend of Zelda? Just Dance? Nah, Mario Kart 64, Double Dash, or Mario Kart 8 Deluxe will work just fine, thank you very much.

It makes perfect sense because the Mario Kart series is so much fun to play. It’s a game that you can enjoy whether you’re a hardcore or casual gamer. It’s more fun when you can race against one of your friends or family members, but I love it even when I’m playing by myself.

That said, Mario Kart isn’t my favorite racing game. That honor belongs to Diddy Kong Racing for the Nintendo 64. As kids, my brother and I, along with our friends, spent countless hours playing it. In Diddy Kong Racing, you have the option to choose from three different vehicles: car, hovercraft, or airplane. You’re also required to unlock racetracks in multiplayer mode by completing them in the single player adventure mode. But that’s less of an issue now, if you buy a used copy from your local retro game store with a preexisting save file.

Unlike Mario, Diddy Kong Racing has a story, albeit a very loose one. Diddy’s friend, Timber the Tiger, gets put in charge of his parents’ peaceful island. Unfortunately, a giant, evil pig called Wizpig arrives and conquers the island. Desperate to clear things up before his parents get home, Timber gathers up his friends to defeat Wizpig…by racing him. It makes no sense, but it’s just an excuse plot for racing. I do like that it’s there because it used to give me a feeling of accomplishment whenever my brother and I won enough races to unlock another part of the island.

Each track comes with extra items you can use to give your character a boost. They come in the form of balloons and they’re less random than Mario. Red balloons give you missiles, Blue gives you a speed boost, Green gives you obstacles to drop, Yellow gives you a shield, and Rainbow gives you a magnet that you can use to pull other racers behind you. Unless you’re in a tight spot, you’ll want to hold off using the balloons right away. Hitting a certain colored balloon two or three times will provide you with power-ups. For example, if you collect one red balloon, you’ll get one missile. If you collect two, your missile will have a higher accuracy. If you collect three reds, you’ll get ten missiles.

You’ll need all of the balloons you can find when you finish the regular racetracks. Diddy Kong Racing has four thematic “worlds” on the island: Dino Domain, Snowflake Mountain, Sherbet Island, and Dragon Forest. (After you’ve defeated Wizpig, you unlock a secret world with even more tracks.) Once you’ve completed the tracks that make up a particular world, you get to challenge the boss. And the bosses are definitely a challenge. They’re fast and they start running before you do. If you don’t hit every speed boost and enough red missile balloons, you’re doomed.

In addition to regular races, you can unlock different mini games in each world. My all-time favorite was Icicle Pyramid. It’s basically a family-friendly version of the Hunger Games. You and three other players get dropped into a pyramid course with a certain amount of lives. Using the Red missile balloons or the Green obstacle balloons, you have to try to take out everyone else before they kill you. My friends and I would often form alliances to knock off the computer AIs and then turn on each other. I was no Katniss Everdeen and often lost. But we all had a blast with it.

Diddy Kong Racing also has a fantastic soundtrack. Even if you’re struggling against Wizpig or one of the other bosses, the fast-paced music gets you pumped and ready to try again. Diddy Kong is bright and colorful as well. Although it’s obviously no Mario Kart 8, the graphics for this Nintendo 64 game still hold up.

I should also point out that Diddy Kong got a remake for the Nintendo DS. It’s okay, but I’m not a fan of it. They had to replace some of the characters, namely Banjo from Banjo Kazooie and Conker from Conker’s Bad Fur Day, and mini games like Icicle Pyramid can only be accessed by playing against a friend in multiplayer. So if you don’t know another person with a DS and a copy of the game, you’re out of luck.

(Fun fact: Speaking of Conker, he was my favorite racer in Diddy Kong. One day, I saw a game called Conker’s Bad Fur Day at the game store and got excited. A game starring that cute little squirrel that I loved? HOORAY! Thank God my innocent eleven-year-old self did not purchase it. I had no idea how much Conker’s personality had changed in that M-rated, South Park-esque game.)

So if you have a Nintendo 64 lying around, give Diddy Kong Racing a try! It’s a lot of fun and the bosses provide some serious challenges that you won’t necessarily find in other racing games.

…or you can play Mario Kart 64 instead. I won’t judge you. I’ll probably join you. It is Mario Kart, after all. 🙂

Review: Ace Attorney Trilogy

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Written by Iris the Keyblade Master

If you’re looking for a video game that’s not too difficult to play (at least not in the way that video games usually are), has an engrossing story, and phenomenal character development, you can’t find much better than the original Ace Attorney trilogy.  Originally released in America for the Nintendo DS, all three games can now be purchased as a collection from the Nintendo eStore for the 3DS.

As the title implies, the main character’s a defense attorney, named Phoenix Wright.  He’s driven by a need to defend innocent people, even and especially when nobody else believes in their innocence.

Each game gets broken down into a number of episodes.  The first episode is always a brief one-day trial that acts as the tutorial.  The others switch back and forth between Investigation modes and Trial modes.  Phoenix will learn about a person who’s been accused of murder and all of the circumstantial evidence stacked against said person.  Then you spend the first day gathering clues, questioning other characters, etc.  Once you’ve found everything that you can possibly find, the game moves on to the second day: the actual trial.  You must badger every witness that comes to the stand and use the clues to point out contradictions in their testimony.

But Phoenix will never have enough evidence to determine the real murderer, so that leads to another day of investigating.  Then it’s time for the second and final day of the trial!

The characters are what make these games so much fun.  Phoenix and his plucky assistant, Maya Fey, play off well with one another as you lead them to different areas to search for evidence.  They’ve always got to deal with Detective Gumshoe, who isn’t the smartest man on the police force, but means well.  The same could be said for the judge, who’s willing to swallow the weakest excuses from lying witnesses.  Each of the suspects has a quirk that can range from amusing to annoying.  Phoenix’ exasperated reactions to the antics of the rest of the cast are always funny.

And finally, there are the prosecutors.  They bring so much joy for all of the grief they heap on poor Phoenix.  The first game introduces Miles Edgeworth, Phoenix’s former best friend who turned into his biggest rival.  I couldn’t stand his ego at first.  He’s the first opponent to really get under the player’s skin with the way he just casually dismantles every argument you present.  However, his character development throughout each game turned out to be so good that he ended up becoming one of my favorite fictional characters ever. 

The second game presents Franziska von Karma, a female prosecuting prodigy who starts whipping anyone and everyone who gets in her way.  I’m not talking figuratively here.  She actually uses a bullwhip on everyone.  That includes Phoenix and the judge.  Somehow she gets away with it every single time.

Last but not least, the third game’s prosecutor, Godot, has a fearless attitude, a great backstory with ties to Phoenix’ past, and likes throwing his coffee mug at Phoenix when he gets annoyed.  Yeah, this game can get wacky.

I loved solving each of the cases.  Sometimes the developers really give your brain a workout as you try to find the lie in a witness’ testimony.  In the first game, you get five chances to make a mistake, and once you use them up, it’s game over.  The sequels replaced this system with a health bar.  It will decrease depending on how many mistakes you make and the gravity of those mistakes.  It’s a toss-up regarding which one I prefer.

Although the games tend to be silly, they do have serious moments- after all; the objective is to catch a murderer.  Each game’s final case is an emotional rollercoaster for Phoenix and his friends, and those last murderers are particularly ruthless.  I won’t say any more to avoid some very good spoilers.  I’ll just say that “Turnabout Goodbyes,” “Farewell, My Turnabout” and “Bridge to the Turnabout” are my favorite cases in the whole series.  The music theme that plays when Phoenix uncovers the killer in “Farewell, My Turnabout” gives me chills.

Finally, the series has some excellent female characters: heroes, villains, and everything in-between.  Besides Franziska von Karma and Maya Fey, there’s her older sister, Mia Fey, a defense attorney who mentored Phoenix and gives him advice on his cases.  They have an adorable little cousin named Pearl who tags along with Phoenix and Maya, and never falls into the “annoying child sidekick” trap.  Wendy Oldbag, Adrian Andrews, Dahlia Hawthorne, and Iris are all memorable suspects for different reasons.   Unfortunately, I can’t go into more detail because I’d have to spoil so much of the story.

Good stories and puzzles, well-written characters, a fun, catchy soundtrack, and constant courtroom shenanigans- what’s not to love?  The evidence clearly indicates that you should give Ace Attorney a try as soon as possible!

Review: Theatrhythm Final Fantasy: Curtain Call

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Written by Iris the Keyblade Master

The Theatrhythm Final Fantasy games celebrate one of the best aspects of the series: the music.  Both rhythm games are available for the Nintendo 3DS.  Although if you’re interested in giving Theatrhythm a try, don’t waste your money purchasing both of them.  The sequel, Curtain Call, has all of the same songs and lots more.

I debated with myself about whether to get the original Theatrhythm when it was first released on the Nintendo 3DS.   Having gotten booed out of levels of Guitar Hero and Dance Dance Revolution, and surviving the infamous Little Mermaid sidequest in Kingdom Hearts 2…my experiences with rhythm games weren’t very good ones.  But someone at GameStop encouraged me to give it a try, and that’s how I ended up losing countless hours of my life to this game.  I have no regrets.

The gameplay’s divided into three types of stages: Field, Battle, and Event.  Field songs consist of tracks like “Terra’s Theme” from Final Fantasy VI, the main theme from VII, and “A Place to Call Home” from IX.  An adorable chibi Final Fantasy character of your choosing strolls along a path to the music, while you try to hit as many notes correctly as possible.  Although the notes can come across the screen quickly, depending on the song and the difficulty level, Field Stages are generally slower in pace than their Battle counterparts.

In Battle, you create a party of four chibi characters who fight different monsters and villains who have appeared throughout the Final Fantasy series.  When you hit the right notes, their attacks are successful.  If you miss a note, they lose health.  (This actually applies to the Field and Event stages too, except you’re not attacking anything. You’re just trying to keep the character’s health bar full.)  The songs you can choose from include the always classic “One-Winged Angel,” as well as “Dancing Mad,” “The Man With the Machine Gun,” and “Battle on the Big Bridge.”

Last, but not least, we have the Event stages.  These stages were more prevalent in the original game, because every entry from the series had one.  In Curtain Call, all of the songs that originally appeared as Event stages got turned into Field or Battle stages instead.  It’s a shame, because even if they’re difficult to play, they’re beautiful to watch.  Instead of battling enemies or walking through a field, you watch a video that highlights the most memorable moments from the featured Final Fantasy game.  The selected songs are popular themes from the game that people tend to think about when they think of that particular entry, i.e. “Sutaki da ne,” “Aerith’s Theme,” and “Answers” from Final Fantasy XIV.  The best, by far, appears in Curtain Call.  It’s a gorgeous medley of Final Fantasy themes played over highlights from the entire franchise.  If you’re a fan of any Final Fantasy games, I dare you not to cry while watching it.

It’s worth mentioning that the way you progress through the game changed in a few significant ways from the first Theatrhythm to Curtain Call.  In the original game, you could select any of the main musical stages for each of the games featured in Theatrhythm, from the original Final Fantasy to XIII.  However, once you committed yourself to one of the entries, i.e. Final Fantasy IX, you had to play through all three musical stages before being allowed to go back and play whichever one you wanted.

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