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Oresan’s Magnificent Foes: The Bloodsail Scavenger!

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Arrrr me matey! You be seeking some sunken treasure in the depths of the deepest darkest oceans? Well pirate captain Oresan has a story for you… ::cough:: ::Clears throat:: Weird. Sorry about that. Sometimes national talk like a pirate day is every day…

If you couldn’t tell I’m going to talk about a foe I used in an adventure of the High Seas variety. This is my first entry in a series called “Oresan’s Magnificent Foes” in which I will be detailing entries in a personal Monster Manual of sorts. Each entry will include a little blurb about What the foe is, Why it exists, and How I went about creating it. I hope you enjoy it, and if you have any suggestions, comments, or would like to see me create a foe based off something you love (or loathe) please let me know in the comments below.

Bloodsail Gnoll

What? What exactly is a Bloodsail Scavenger?

 

Imagine sailing the open ocean. Your comfortable with the systematic rocking caused by the endless rolling waves. Your not far from shore, trolling along the coastline for schools of fish. You do; however, find yourself scanning the horizons  as the sun begins to set. You know that these waters are infested with the Bloodsail Gnolls, horrific humanoid hyenas that capture forlorn fishermen and merchants. Rumor has it they take those that live back to their bone filled dens and sacrifice them to their god, the Ever Hungering. They keep their prey alive so they are fresh when they are devoured by the Bloodsail clan.

Its said they attack ships near the coast during the early hours of the night. The row out on speedy longboats, using red sails that seem to blend in with the light from the setting sun. By the time you see them coming, it’s already too late. They hulking beats, standing nearly 8 ft tall, have already boarded the boat. They attack with gnarled spears capable of piercing through heavy armor. These sadistic creatures carry nets used for ensuring the capture of living meat. They kill the strong mercilessly and capture the weak; the children and the old. If you have the foresight to give up before they get a chance to fight, your fate is sealed and far worse than a quick death by being run through.

 

Why? Why did I create these Abominations in the first place?

 

I have always loved Gnolls as a foe in my campaigns. They are sadistic and nasty and have a great tribal feel to them. As such I often try to include them in some way. I took it upon myself to run an island hopping adventure in a homebrew setting called “The Shattered Isles” for a few strangers online. Early on in their adventure I wanted to introduce them to something that was going on in the world around them. I wanted this to be subtle and not necessarily centered around something they would have empathy for.

Why not Gnolls? I could have just thrown some regular old Gnolls at the party, however they were level 1 at the time. So i needed to scale them down and give them a bit of High Seas flair.

 

How? Everybody has a process, what was mine?

 

The Bloodsail Scavengers are at their core a standard Gnoll, however they do not share the CR of one. (A Gnoll in the Monster Manual has a CR of ½ whereas the CR of a Bloodsail Scavenger is ¼) I took the hit points and lowered them by about a ⅓. The other abilities are nearly identical in damage and scope, however; I took away their Longbow and replaced it with a net.

The Longbow needed to go. This weapon alone could take early fights and make them significantly lopsided in favor of these ferocious beasts. These Gnolls still have a ranged weapon by throwing their spears as well as the addition of the net. They can use the net to restrain characters and drag them into the depths causing them to drown or to simply restrict their movements.

(Important note about nets: Though they are ranged, their distance is 10/30 which means if they throw the net any distance 10 or beyond they are at disadvantage. This means that their effective range is 5 ft with net without suffering disadvantage; however, to 5 ft is melee range and when you use a ranged attack in melee it suffers disadvantage. All attempts to net a creature are at disadvantage!)

Once again this was the inaugural entry into Oresan’s Magnificent Foes, an evolving Monster Manual of sorts. If you have any comments, suggestions, or have a foe you’d like to see created please let me know in the comments below.

Top 10: D&D Characters I’ve Played

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When I make a character for Dungeons & Dragons they need to have the perfect name. If I’m not happy with the name, I won’t play the character. As such over the 30 plus years that I’ve played the game, my hall of champions has a relatively small number of characters. These are my top ten favorite D&D characters.

Killian: When I was first introduced to D&D by my friend Matt M. he had a character named Killer Kroc. At the time I wasn’t fully aware of the Batman villain, but I liked the alliteration. Years later I had adapted the name into Killian Krocerian. He was a fighter/rogue type and his escapades were the stuff of great hyperbole and much exaggeration. He was my first hero and still holds a place of honor in my imagination to this day.

Farak: The next great warrior in my list is a dwarven buzz saw. Farak The Axe was a twin axe warrior that could wade through a stable of zombies in the time it took a paladin to kill one. True story. His greatest tale involves falling 40 feet through a wooden staircase while avoiding a wyvern. He eventually would climb those same stairs again to take on the beast bare-handed, and save his friend Veirden.

Veirden: Which brings me to my next hero. At the time I was in a small gaming group and I was playing both Farak and Veirden, the mad Halfling. Veirden was a rogue who had been rescued from a POW camp by Farak. The two were inseparable. I played this rogue with a complete disregard for his own safety, often drawing twin daggers and charging head first into battle alongside Farak.

Friar Chuck: Tired of all my warriors and rogues I decided I would try my hand with a cleric. Friar Chuck was part of a team, his sister Aliana was a bard, but the two of them would never see a table top together. They were merely an idea. Still, as time went on and I found myself in need of an NPC cleric, Friar Chuck resurfaced.  While running a Steampunk D&D game set loosely in Philadelphia my players ran across a street-corner preacher handing out pamphlets for Pelor. “Have you felt the Strength of Pelor? Have you seen the Light of Pelor?” all in a bored monotone voice. The party’s rogue latched onto Chucks boredom and convinced him to abandon his post and take up a life of adventure.

 

Zephyr: Zeph was a half-orc monk, all speed and strength. He specialized in in crossing the battlefield, avoiding the meat-shields, and focusing on the casters in the back ranks. When he snatched an orb of storm control from a vile wizard and smashed it, Zephyr earned the title Stormbreaker.  I was never sure what monastery he came from, but he was a favorite at the table. The greatest terrain plans laid by our DM were of little to no hindrance to Brother Zephyr.

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Gar: Ebberon was an awesome campaign setting. I especially loved the Warforged race; living constructs with no names except those given to them by their comrades. Gar was found by a dwarf in an old bear cave, and given his barbarian nature the dwarf named him after the dwarf word for bear. He was a great tank, eventually multi-classing with fighter. Unfortunately he met his inside the belly of a dire shark. His quest for warforged mods (centaur legs, wings) was not meant to be.

Ahrazul: Possibly my favorite character from 4th edition was this Dragonborn Paladin of Bahamut. Ahrazul was always the center of attention in combat, lest the enemies suffer his divine smite for ignoring him. The problem was he was also very hard to hit, even harder to kill. Not so much a problem for me, but it sure was annoying for the DM. My love of creating new characters won out and I convinced the DM to orchestrate a glorious end to Ahrazul .

Rusty: With 5th edition I wanted to go back to my roots, so I settled on the idea of a dwarf. Russik “Rusty” Ironheart was the grandson of Farak the Axe. Unlike grandpa, Rusty liked ranged weapons. Wielding a heavy crossbow and a hand crossbow sidearm I pictured him as sort of a door-breaker dwarf swat officer. Spells, Weapons, and Tactics. All fighter, and delving into the Eldritch Knight sub-class it still is my favorite fighter sub-class from 5th edition.

Mad Dog: The Adventurer’s League had finally caught my attention. I was stuck with this idea in my head of a fighter wielding a staff or polearm much like Darth Maul. To get the wicked feel of it I would multi-class him into warlock.  With his devil sight, darkness, and polearm mastery he’s proven quite effective as a melee striker. A former pirate who sold his soul to save his own butt seems to be my go-to background for warlocks.

Qui’noa: Finally we have Qui’noa. A tortle monk, assisted by the spirits of his ancestors. This barbarian-monk is his own traveling bar brawl. It’s not an uncommon combo with the release of the Tortle race, but at least I haven’t named him after a renaissance artist. The ancestral ghosts make him a sticky tank, and his shell makes him a hard choice for the enemies to target.

Adventure Framework Part 1: Start at the Beginning

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“A few small, mostly melted candles adorn an old round table at the center of this shadowy room. The candle light flickers lightly as you step into the room through an ornate curtain. The dancing luminescence wicks over numerous porcelain masks covering the walls, their demonic visage accentuated almost seeming alive. A single gold censer hangs from the ceiling, swaying lightly, it’s pungent smoke cascading from it. Sitting at the low table is an ancient man, legs crossed, as he adjusts himself on one of the oversized pillows set around the room. His eyes are glazed and pale white, his beard grey, long, and scraggly. He wears an enormous red turban adorned with silver baubles and ornaments. An ornate red demon mask lies on the table in front of him, his gangly fingers gently tracing its features. His head tilts towards you, looking more with his ears than his eyes. In a raspy yet elegant voice he says: ‘You’ve come! Have you brought it?’ “

This is an introductory event I planned out for an adventure set in a fantastical and far off, foreign land. After gathering some information from the players, I set out to design an introduction to the game WE decided to play. These introductions are an art form that takes practice to get right. They come in many shapes and sizes; though, I much prefer to use these events as an introduction to the game we will be playing. Therefore, when you plan your session 0 this should be the first thing you present to your players. This moment is an accumulation of the story you want to run as well as a representation of what your players ask for in your initial chats about playing the game. (You really should chat a bit with your players before you set up a session 0.) Each introductory event will be different depending on the type of game your players want to play and the story you want to tell.

Read the rest of this entry

Bears Vs Babies: A game review

20170627_171516 On July 4th, while many Americans celebrated with Fireworks and cookouts, my friends and I sat down to play Bears Vs Babies. As fans of the creators, we had been waiting to play it since the game had been announced. We were not disappointed.

Bears Vs Babies is honestly just a very entertaining game. It is also fairly easy once the players get started. There is a mat, and cards that are shuffled together. Some are babies who have different slots on the mat. There are some cards to give the players different actions. The other cards are pieces to help the player make a totally awesome monster!

The game encourages players to first go through a practice round, which is always helpful, depending on the experience level of the players. After they are comfortable, then it is time to get down to business and make some monsters. Players are given a number of cards. All babies are discarded face down on their appropriate color slots. Monsters are put together during each player’s turn.  

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The tricky part is that the cards have to line up with the stitches so it may take a few turns before a monster can be properly assembled. There are points on the cards which let you know how powerful each card is, so the more cards the more powerful your monster. All of the cards with the heads have a color that correlates with a baby pile, or they have a rainbow meaning they could fight any group. The goal of the players is to defeat the evil baby armies. If the player can, then they get the points. Some cards in the deck enable other players to trigger a fight between a player of their choice and the baby armies so it is a good idea to pay attention to what your friends are building.

Bears Vs Babies is brought to us by the brilliant minds of Elan Lee and Matthew Inman. Yes, the creators of Exploding Kittens. Bears Vs Babies has all of the humor of Exploding Kittens. It felt quick to play between trying to make my monster and strategizing against my friends. The art on the cards is well done. The monsters are funny and sometimes even fancy. In short, it was a great game that I cannot wait to play again.

I would rate Bears Vs Babies: Must play.

Always keep sparkling!

Top 10 Favorite Table Games

I love RPGs, gathering around a table and getting lost in fantasy with my friends. Sometimes though I just want a beer and pretzels type of game. Deal out the cards, lay out the tiles, and have fun. In no particular order (because I’m lazy) here are my favorite tabletop games:

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Munchkin – This card game is a simplified dungeon crawl with a stack of doors, and a stack of loot. Each person starts out as a 1st level human with no class, and that’s just the first joke of the game. The weapons are all tongue in cheek, the artwork comical, and the gameplay is fast and funny. The basic game is fantasy based, but there are any number of official sets for whatever your fandom might be. The best news is they can all work together making for some strange combinations.

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Betrayal at House on the Hill – Betrayal was the first random map game I ever really got into. You and your friends play a group of (fools) entering a haunted house. The map is laid out randomly from the foyer as you explore and find omens that will eventually reveal that one of you is a traitor. Or not. The main game has 50 possible reveals, and they’ve recently released an expansion for it, Widow’s Walk.

Abduction – Now this random map game is a simple deck of cards with cardboard cutout minis. You have been abducted by aliens and have to be the first one to escape. The layout of the ship can be chaotic, and with certain cards played, it can actually change at the last second snatching defeat out of the jaws of victory. I call dibs on the cow mini.

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Zombies!!! – I thought zombies were cool before they were cool, so when I saw this board game where you and your friends all played survivors trying to escape a town overrun with zombies. I was in. Starting with the center of town you deal out random tiles trying to find the helicopter pad and escape, or be the first to rack up a zombie kill count of 25. The game comes with 100 rubber zombies, so I also found it useful for the survival horror RPG I was running. There are several add-ons to date (8 I think) that make the map more complex adding a shopping mall, a military base, a college campus, a prison etc.

Zombies!!! 4 – The 3rd expansion for this game can really be called a stand-alone. Whereas the first game takes place in a city , this setting is a haunted forest accessible by a bridge out of the main city. The point here is to collect the pages of the Necronomicon and perform the ritual. This version also comes with 100 rubber zombie dogs to “hound” you throughout the forest.

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Red Dragon Inn – Dungeon crawls are fun, but what happens after the quest when the party is loaded down with gold? They drink and gamble it away. This game, with its four stand-alones and several individual add-ons has you choosing a character and using their personal deck to out drink their fellows, or win all their gold. If you pass out or go broke, you’re out of the game. Each character has their own strength and weaknesses. If you choose to imbibe some adult beverages of your own, drink responsibly.

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Epic PvP: Fantasy – This is a one on one deck battling game. Your race is chosen at random, as is your class making for some interesting combos. They’ve also come out with a companion game Epic PVP: Magic that can be combined with the original or played separately. My only wish is that it was designed for more than 2 players.

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Cards Against Humanity – How bad are your friends? How badly do you want to know? Play this game once and you’ll find out. The only drawback I found was after multiple games you start to get shocked less by the combos. Buying more cards, or finding new players is a must to extend the replay ability of this one.

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Chrononauts – Time travel is cool. A series or cards are laid out depicting the timeline of our natural history with alternate versions of key events on the reverse of the cards. Each player is given a secret goal that must achieve in order to win the game. By traveling up and down the timeline and playing cards to switch events they can create the future they know in order to win the game.

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Flux – You win by playing cards to empty your hand, but every card you play changes the rules. I’ve seen versions for just about every fandom (Chtulu, Monty Python, Batman as examples). It’s a funny game that’s easy to pick up and play.

Influential Female Characters: Keyleth

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Most of my readers and our fans know that when I started gaming again, my Dungeon Master suggested I watch some Critical Role to help me. I have a habit of getting stuck in my own head and being too worried about rules to just play and have fun. The show did help and also give me the idea to try what has become my favorite class in D&D because of  the Druid, Keyleth. I felt for Keyleth because her backstory. I was also really interested in her powers. I started playing Druids and that has become the class which I feel most comfortable, but I would never have chosen that class so quickly if not for watching Keyleth.

Keyleth is a Druid of the Air Ashari. Without giving away too much for those readers who are catching up on Critical Role, here is a little bit of her backstory. Keyleth has always been a talented druid, even when she was a child. Her father was the Arch Druid of her people and her mother left at an early age. Keyleth’s  father sees her potential and chooses her to be his successor. As it is then explained in the old intro, “ Just like that, her jovial childhood was stripped and replaced with endless spell memorization, teachings from ancient traditions, and exceedingly high expectations.” Here, I thought my school days were rough. 

 

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We never really hear about Keyleth having childhood friends. Nor, as it would seem,  has she had a lot of socialization till she is sent away from her tribe. When her father thinks she is ready, Keyleth is sent on a journey to the other Ashari tribes to “establish respect” with their leaders where she becomes a member of Vox Machina, what the group is known as, along the way. Because of this upbringing Keyleth is awkward and, at times, socially inept. She is also reckless in times of stress.

Keyleth is played by Marisha Ray who is not only a gamer, but also an actress and writer. Marisha often comes under fire for her style of gameplay. There are many reasons for why viewers don’t enjoy how she plays. Some of which are because of how their Dungeon Master allows his players to experiment and, some say, he is not enough of a rule enforcer. Marisha also really commits to playing Keyleth, flaws and all. She doesn’t polish her just because she isn’t the most popular character. I know that some of her particularly cringe-worthy moments make it difficult for me to watch her as well.

That being said, I give Marisha a lot of credit. She took a character who comes from a strict and sheltered religious background to thrust her into the world which does not follow the rules. Keyleth has gone through a lot of growing and evolving throughtout the game thus far. She has put aside many of the religious beliefs that she grew up with and has had to learn how to interact with people who have not. Keyleth continues to find her own strength and control over her powers. This has been particularly hard for her since they scare her at times. She also has come to terms with guilt that she continues to bury throughout the game.

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In short, Keyleth is an evolving and flawed character. She is very real because of her flaws. She is kind. She feels things very deeply, including remorse when she makes a mistake. Keyleth is struggling to be worthy of the responsibilities thrust upon her by others. She is finding herself, making herself better and helping those around her.

Keyleth helped me to understand that it is okay for me to play characters who unflinchingly believe in good. That I can play a character who isn’t a perfect hero from jump. Marisha has taught me that it is okay to make a mistake in game and learn from it. Keyleth inspires me to be creative with my characters. To allow an awkward moment to happen if it is what I think my character would do at the time.

She is a great example of being present in the moment of gameplay. Of going with your gut as a player. Of taking a risk because it might lead to something awesome. Keyleth is all of us just trying to figure the world out. She is us trying to figure ourselves out. Keyleth is all of us, just with awesome powers and a really cool headpiece.

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Check out episodes of Critical Role here.  

You can listen to a pretty rad soundtrack that Marisha put together for Keyleth here.

Always keep sparkling!

Games Workshop – Sink or Swim?

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British Minis game manufacturer Games Workshop is garnering negative headlines this month as the result of a suit filed against the company in Florida by a livid game store owner. The suit filed by David Moore alleges violations of the U.S. regulations and the RICO act including but not limited to Fraud, Price Fixing, Breach of Contract, Unjust Enrichment, Restraint of Trade, Conspiracy and Antitrust Violations. Some of the major issues of contention for Moore seem to be:

– limitation of online sale (retails previously could not sell figures online and had to direct customers directly to GW for online sales) and increase of highly lucrative online exclusives not available in stores
– intellectual property theft including the name Space Marines (Moore alleges this theft was from Robert Heinlein, though the name had been used previously by Bob Olsen in a 1936s novella for Amazing Stories ), character design from FASA’s BattleTech, and Aliens design (R. Geiger)
– discontinuing Warhammer Fantasy Battle
– refusal to accept returns despite written statements to the contrary.

Moore is asking for 62.5 million dollars total in damages to be divided between himself and other affected stores as well as divesting GW of their intellectual property and trademark claims and changing the way the distribute product through their own stores.

The short, simple answer is that this suit will likely go nowhere. While perhaps breach of contract might be a legitimate issue, Mr. Moore’s wild volley of accusations range from misunderstanding IP law and RICO to being intentionally misleading regarding pricing and online sales. Also, there is some amount of irony that he dedicates at least a paragraph of his complaint professing to be only interested in upholding “a Free Enterprise & Free Market system of law” but then objecting to the company selling a product at a valuation that the market seems to be willing to bear. (And before you label Morris a miniatures-game playing Robin Hood you should know that in addition to receiving 20% of the proposed damages award, he asking that all copyrights and trademarks that Games Workshop currently owns to be conveyed to himself as well.)

All that being said, what seems to make Games Workshop the evil cackling villain of game manufacturers? When the suit originally made it into the news a forum thread on Board Game Geek veered back and forth from information on the suit to a list of grievances regarding GW. Posters left messages that read “…we all like to see GW get a bit of a kicking…”, “…GW, the company that’s reviled even by their own fans…” and “Even if they lost this crazy lawsuit, all they’d have to do to recoup costs is start making their models out of regular old clay, claim that it’s a highly-advanced space-age clay polymer, charge double for it because of that…” There’s been a good deal of negative press about GW and other stories seem to have more evidence to back their complaints.

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For starters, there are several documented cases of what some call trademark bullying – in particular over the term “space marines” (which, as noted above, wasn’t created by Games Workshop.) The subject of a cease and desist who had novels featuring the term pulled from Amazon  stated “I used to own a registered trademark. I understand the legal obligations of trademark holders to protect their IP. A Games Workshop trademark of the term “Adeptus Astartes” is completely understandable. But they’ve chosen instead to co-opt the legacy of science fiction writers who laid the groundwork for their success. Even more than I want to save Spots the Space Marine, I want someone to save all space marines for the genre I grew up reading. ”

Many cite Game’s Workshop’s almost non-existent customer service as another reason they dislike the company.  Richard Beddard attended a general meeting of investors in 2015. “I’ve got bad news for disenchanted gamers complaining on the Internet. The company’s attitude towards customers is as clinical as its attitude towards staff. If you don’t like what it’s selling. You’re not a customer. The company believes only a fraction of the population are potential hobbyists, and it’s not interested in the others.” There are literally dozens of threads on BGG, The Escapist, and Reddit complaining of unanswered complaints, queries met with indifference and hostility, and bait-and-switch-like tactics on the online store.

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Will any this matter to Games Workshop? Its hard to say. 2015 was a challenging year for the company financially but profits almost doubled in 2016. Releasing online sales to outside stores seems to have created some goodwill between the distributor and its retailers. On the other hand, newer, less expensive minis games like Xwing are continuing to nab a larger section of the market each year.  After 40 years this phoenix seems to rise from its own ashes with regularity – we’ll see what the next decade has in store for it.